克蘇魯的呼喚──四號走廊,淨空!(Clean Up, Aisle Four!) 漢化發佈! CoC 免費劇本下載!

模組介紹:

   這是一個在近代新英格蘭的便利商店裡,一群強悍的調查員為對抗惡魔瘟疫而在坑洞中展開冒險的故事,當然這個惡魔絕對不是甚麼古代留存下來的熱狗或是高到嚇死人的油價之類的這種東西。

   這個模組很適合作為整個「便利商店克蘇魯」的開頭,可以發展成一個以此模組為中心,圍繞著這家便利商店發展的短篇系列故事。

   這趟冒險也很適合作為新手調查員初次嘗試克蘇魯系統的「第一次」,它並不要求調查員要持有特別的技能或知識,也除去了讓調查員與神話主體正面對決的威脅。

第二部漢化作品─Clean Up, Aisle Four!總算是完成了

拖了有點小久,真是不好意思(鞠躬)

相信有不少人迫不及待想要看看這個與米‧戈有關的模組

說真的,翻完以後我認為非常適合新人帶團使用

優點:總劇本時間不會拖太長、該有的調查和戰鬥都不會少、探索範圍固定、很多地方適合埋梗

最重要的是....這個劇本趣味十足阿!!!!!看到我都想玩了

同樣是十二頁的短篇模組,預估跑團時間4小時以上

請大家盡情使用!如有翻譯不佳的地方也歡迎來信告知

信箱:j456789a2003@yahoo.com.tw

COC 日本祕史(4)

A Slice of Life
人生片段

What you ask is impossible! It is difficult to the extreme”
No, what I ask is just beyond your limited sight. Look outside, this ramshackle of wood and rice paper will one day be monoliths of glass and steel. But you do not see this. Joken, it is because you are human and lack understanding. ”

「你所問的事情是不可能的!要到達極致實在太困難了。」

「不,我所問的只是超出你狹隘視野的部分,往外看看,這些腐敗的木材和米紙在將來的某一天會變成巨大的玻璃和金屬材料,但是你無法看到。Joken,這是因為你是個人類,你無法理解。」

Looking past the illusionary mirror to the West, Nippon, as natives call her, is very much a society of stratification and extremes. To see this vividly illustrated, imagine you are in the city of Tokyo, the slightly tarnished jewel of Asia. One of the largest cities in the world, Tokyo is comprised of interconnecting wards resulting in a continuous urban sprawl fifty miles in radius.

看看過去對於西方世界的鏡中幻想,Nippon,一個原住民對於她─社會階層和極端的稱呼,看看這些生動的繪圖,想像一下你正處世界上數個最大城市的其中之一─東京市裡,一個失去它原來璀璨光芒的東方明珠,城內所有地區的道路相互連通導致其持續向五十碼內的郊區擴張其版圖。

Now, of the numerous famous districts in the city, you are in Shinjuku, one of the busiest and most crowded wards of Japan. Gleaming forty-story glass and steel towers loom over an undulating ocean of black hair at street level. As you stand on the bustling corner, thousands of impatient commuters brush past.

現在你正處在這個城市裡數個著名區域裡的Shinjuku區中,日本最繁忙又壅擠的城市之一,閃爍著四十個故事的玻璃和金屬製塔,反射在街道上縱橫交錯的光影織出如同一波波黑髮絲海浪的光景,假如你站在繁忙的一個街角附近,成千的通勤者毫無耐性的與你擦身而過。

Your nostrils are assaulted by the smell of raw sewage emanating from the numerous open grates at your feet, blending unpleasantly with the delicious aromas wafting from the street vendors littering every corner who sell fried octopus and steaming ramen bowls.

你的鼻孔被來自腳底下無數敞開的爐排,其中未經處理的汙水發出的味道,與街上每個街角零亂攤販販賣的炸章魚和拉麵飄盪出美味香氣混合後,這種令人不悅的味道向你襲來。

While a street scene plays out in front of you, under your feet, in Shinjuku Station, over one million people a day commute to and from work. Loudspeaker vans of the fanatical ultra-right pollute the air with nationalist slogans as oblivious but trendy teens walk down the artificial canyons of the big city with PHS cell-phones glued to one ear.

當這幅街景呈現在你眼前,代表你已經腳踏在這座城市, Shinjuku,一個每天超過一百萬人萬頭鑽動來來往往的地方,載有大聲公的卡車用極右派的狂熱思想汙染著空氣,放在明顯處的國家標語被追隨流行的年輕人無視,耳朵上黏著一隻PHS手機自顧自的朝大都會裡的人造峽谷下去。

Holding old women, hunched over almost 90 degrees from osteoporosis, push barren baby carriages for support, while well-dressed salary men in blue suits, silk ties, and suitcases push by in a hurry to get to work. Swarms of bicycles bearing sailor-suit-clad girls on their way to high school rush by as a sun glassed man in a punch-perm, the local Yakuza, guards the door to his club where a stripper dressed in the same sailor suit entertains drunken salary-men. Droves of cliquish college students from Tokyo University, on par with Oxford or Harvard, sit and chat in the coffee shops facing the street comparing their entrance scores, while the young service staff, dressed in identical uniforms, resignedly hope that they might get into a fourth tier university after a second try at entrance exams. All of this is just the briefest of moments on a street corner in Tokyo, but a good still picture of the intense sub-cultures, group-ism, hierarchies and challenges Japanese life fosters.

扶住一個因骨質疏鬆症駝背超過九十度的老女人;給在搖籃上沒人照顧的嬰兒援助;還有一個受薪階級的男人穿著整齊的藍色套裝和領帶,手拿公事包趕著上班;身穿水手服的少女騎腳踏車趕著上高中時與帶著太陽眼鏡的日本黑道─平時在當地的脫衣舞廳,守衛著為了取悅爛醉的受薪階層,同樣穿著水手服的脫衣舞孃─撞個正著;一群能力與哈佛大學不相上下的東大學生,坐在咖啡廳裡面對街道的位置聊天,正比較著他們的入學成績;一位年輕的服務生,穿上店裡的正式制服,因為在第二次嘗試大學入學考試落榜後,放棄他進入四年制大學的夢想;這全部都只是東京裡面某個街角短暫的一刻,但他卻完美的呈現出交融的次文化、團體意識、社會分層和日本人在成長中面臨的挑戰。

COC 日本密史(3)

Man and Machine
人與機械

Japan has a love affair with machines and inanimate objects that is at once understandable, baffling and darkly disturbing. This obsession with things which require no social interaction rejects the sad state of our country’s youth, who can only microwave dinners and who prefer ATMs to living bank tellers. However, this integration has promise as well: taken to its logical conclusion, Japan may be the just to embrace cybernetic technologyultimate fusion of man and inorganic artificial intelligenceinto an entirely new species on our planet. The question is, will the electronic echo of a soul inhabit this new life form or will it be infested by a synthetic spirit, one incomprehensibly alien?

-Prof. Mari Makoto, excerpt from
Project Yhrei White Paper.

日本有種可以理解、又令人困惑和混亂不明的狀況─一種與機器和無機物的戀愛關係,這種對東西的執著必須要在不被社會干擾下,才不會被這個悲傷國家的那群只會微波晚餐和喜歡使用ATM提錢更勝過親自上銀行的年輕人抗議,然而,這條公式得到了完美的證明:將其導向合邏輯的結論,日本有可能才剛剛相信神經機械學的技術─能將人類與非自然人造物智慧融合的終極科技─可以在這星球上產生出全新的物種,問題在於,這些寄宿於全新生命型態,電子波動間寄宿的靈魂將會是一群人造的魂魄,抑或是令人費解的外來者?

Mari Makoto教授,
摘錄自Yhrei White Paper計畫

Now, in a new century, Japan wants to possess the newest and sleekest high technology to decorate its walls. Technology is a cornerstone for the future, and most Japanese believe it will make the country a trendsetter and economic powerhouse in the next century. To this end, modern Japan has firmly embraced high-tech as its new religion and philosophy, with disposable culture and sinful excess its artifacts.

現在的新世紀,日本想要擁有最新和最強大的高科技來建造出自己的防衛牆,科技是未來的基石,大部分的日本人相信它可以開創出國家下個世紀的新潮流,成為經濟的發電廠,為此現代日本斷然信奉高科技為其新宗教和哲學,一次性的文化和有罪的擴張其人造產物。

Most Japanese citizens feel much more comfortable with cold robotic gadgets than the inconveniences warm-blooded humans present. The extreme avoidance of social interaction by some Japanese has led to new dysfunctions in an otherwise smoothly interlocking society.

目前大部分日本市民都覺得冷兵兵的機器人工具遠比流淌著熱血的人類更加方便和舒適,有些日本人極端的避免與社會接觸,這導致他們難以與社會流暢的連結起來,產生一種全新的功能障礙。

Most new facets of modern society have developed to lessen physical interaction for the sake of convenience, as evidenced by cash machines, vending machines where you can buy anything imaginable, computer networks, and massive video game centers. Youths, welded to TV games for unending hours, find any undertaking more demanding than preparing an instant dinner an impossible task. The contents of video games played by kids are often quite disturbing to the older generation, leading to further questions about the alien morality exhibited by this new generation of zombified and passionless children. Combined with ignorance about the past deeds of the country and the world at large, the social ineptitude of the next generation is the greatest cultural problem facing Japan.

有鑑於現代社會多面向的發展,收銀機、可以買到任何你所想像得到的販賣機、電腦網路、和大型機台遊樂中心都左證了對機械的信心,也減少了實質上的阻力,年輕人無時無刻與電視遊戲緊密結合,想要找到一點未被開發的需求遠比瞬間準備好晚餐還要更像不可能的任務,這些小孩遊玩電視遊樂器的內容經常擾亂到老一輩,更加促進外來的倫理價值根生於這群無腦又冷漠的新世代小孩的問題,綜合這個國家對於過去的無視和世界觀的擴張,這個社會無力面對日本下個世代最嚴重的社會問題。

As people wantonly rush to embrace cold metal things, they leave behind a precious shard of their humanity: the human warmth that keeps people centered. Elite corporate elements have taken the Japanese love affair with machines as far as actually wedding metal and flesh together, creating new organisms with a science that seems almost sorcery. This level of technology has not been seen since the ancient Hyperborean  civilizations rose, and has not been explored since then due to moral and ethical considerations. Questions arise as to what such high tech wizards and their fleshy automatons deign worthy of worship in the coming new world order.


當人們全然的衝向冰冷的金屬製品的懷抱中,他們將其能將人們集中起來的人情味留在人性的外殼外,菁英組織的人員們借著日本人這種與機器的戀愛關係,盡可能的將金屬和肉體作出結合,創造出看起來幾乎是魔法才能達成的全新科學,這種層次的科技自古代極北文明的興起以來從未出現,也因為道德倫理上的考量沒辦法發展開來,這群高科技巫師和他們肉體的自動機器賜予即將來臨的新世界無上榮耀的問題也浮現出來。

COC 日本秘史(2)

Today’s Japan

現今的日本

. . . And castles made of sand, fill in the sea, eventually
-Jimi Hendrix, from the song Castles Made of Sand.”

和沙作的城堡,填滿海洋,終就
Jimi Hendrix,出自歌曲” Castles Made of Sand.”

Welcome to modern Japan, a country with an identity crisis. Japan, a place where millennia-old traditions clash with the eagerly adopted consumer culture of the West. Japan, where ancient shamanistic Shinto religion blends with modern Buddhism. Japan, an ancient land, which holds many forgotten secrets and treasures. Japan, a land nurturing a people who are spiritually closer to the One than any other, if they could just open their eyes. Japan, repository for some of the world’s most powerful archaic artifacts. Japan, where East meets West in a way like in no other Asian country.

歡迎來到現代日本,這是一個有著明確危機的國家;一個千年傳統和渴望採用西方的消費者文化衝突交鋒;一個古老的薩滿神道教與現代佛教搓揉混合;一個擁有著古代大地上各種被遺忘的秘密和寶藏;一個與人們心靈相通的豐饒的土地,假如他們能夠睜開眼睛仔細觀察,這裡是個充滿著這世上最強力古代神器的寶庫。日本,唯一一個在亞洲讓東西方擦出與眾不同火花的國家。

This land bristles with contrasts and paradoxes caused by superimposing an alien society, that of the Western World, over a culture that, less than 150 years ago, was steeped in ancient imperial and feudal traditions for over three thousand years. In the push to advance, Japan has incorporated Western ethics and heritage over the framework of a much older cultural model that had worked perfectly for hundreds of generations. But as a result, today’s children do not know the social foundations and history of their country.

這塊土地建立出一個被對比和矛盾所重疊的外來社會,一邊是有著一百五十年歷史的西方世界文化的強勢掩蓋;另一邊則是浸淫於長達三百年古老的封建帝王傳統,這兩股力量推動著日本的成長,最終日本成功的將這些西方思想和遺產融入了舊式傳統思維的框架中,持續了近百年的時間,然而今日的小孩子終究不知道他們國家的社會架構和歷史。

Today’s Japan is a shiny high-tech building erected over a skeleton not of steel and concrete, but of old and rotting timbers of ages past. Japan has tried very hard to catch up with the Western world. In the process of Westernization, it has discarded many old and valued traditions, viewed as so much dead wood blocking progress. With the adoption of Western scientific thought at the turn of the twentieth century, many Japanese believe Japan firmly left the traditional world of superstition and the supernatural behind. So hard have the Japanese worked at modernization that a collective amnesia concerning native cultural heritage has developed.

今日的日本那些閃耀著的現代建築覆蓋著它們的骨幹並非鋼鐵或水泥,而是古老、腐朽且上了年紀的木材,日本嚐試著追上西方世界,在現代化的過程中,他們拋棄很多古老的傳統價值,遇上很多死木塊的阻礙進步,隨著二十世紀的來到,很多日本人選擇相信西方的科學思想,將傳統的日本迷信和超自然棄之不顧,繁重的現代工作讓日本人集體忘記關注他們原生文化遺產的發展。

An old Japanese proverb goes, “the nail that sticks up gets hammered down.” Due to poor craftsmanship in building a modern nation, far too many nails stick up from the timbers of today’s social institutions. This Yin and Yang of old and new has created a generation ignorant of its past and ambivalent about its future. All of this selective renovation can only create unnecessary hammering. Where the hammer flies, conflicts within erode group harmony without something vital to the Japanese mind.

有句日本諺語是這麼說:「凸出的釘子會被敲回去(槍打出頭鳥)。」,有鑑於現今國家的建築技巧衰弱,很多社會公共建築木材上的釘子都凸了出來,陰與陽、古與新造就這個無知時代,過去與未來的矛盾,這個選擇性的革新只能造成不必要的打擊,當鐵槌飛翔,衝擊著這腐朽團體的和諧,除去一些日本人腦中重要的事物。

Buddhism also has a proverb that can be applied to the state of modern Japan: it is the concept of karma, which compares life to a burning house with no exits except enlightenment. Many Japanese have become content to stay within a home full of smoke and flames rather than risk growth possible outside their common experience. But still, the Wheel of Karma slowly turns, never forgetting, always taking account of the deeds of the suffocating masses.


佛教徒也有句諺語很符合當今的日本:「將生命比作燃燒中的房子,除非得到啟蒙否則無從逃出,這就是因果率的架構。」很多日本人滿足於充滿著煙與閃焰的房子中勝過讓他們危機感成長,有機會讓他們逃出自身常理框架,然而,因果慢慢輪迴,不曾遺忘,種下甚麼因,就會得甚麼果。

COC 日本秘史(1)

Something is coming

有「甚麼東西」要來了

Seek not to understand. Seek nothing. Let yourself be the void.
And when understanding arrives, true enlightenment will follow.
-Zen Proverb.

探尋無解、追尋無物,讓自身化為虛空。
但當你到達了領會之境,隨之而來的將是真正的啟迪。
-Zen Proverb

There is something. . . important . . . coming. It’s a vague stirring sensed by every soul with Japanese blood coursing through their veins -a deep, inchoate feeling that can’t be grasped. It screams for remembrance, but is only glimpsed on the edge of nightmare.

有什麼嚴重的要來臨了。
每個日本人的靈魂感受到一種含糊不清的騷動,這種感覺流遍了全身的血管─一種深沉、萌發且無法控制的感覺,它在記憶中尖嚎著,又僅僅在惡夢的邊界中一閃而逝。

Upon waking, these fragments are quickly eclipsed by the daily drone of pop music, television drama, and office gossip. Lingering in consciousness is a formless dread, a deep sense of urgency most often channeled into the everyday grind and forgotten. Is the forgetfulness a sanity-protecting safety valve( for Japan’s inhabitants? Have they lost hold on something much more sacred and valuable by living in a fantasy world of material possessions and diversions?

一旦醒來,這些片段很快的被每天各種饒舌音樂、電視劇和政府醜聞的聲音給侵蝕,徘徊在潛意識中無形的恐懼,這種深沉且急切的感覺往往被每天的日常給掩蓋並遺忘,這種健忘,可能是一種日本民眾調節理智閘門的自我保護?難道他們因為失去原本賴以為生的中心價值和恐懼感,只能將其轉嫁於幻想和物欲的世界之中?

When not dreaming half-remembered nightmares, sleepers travel to places in the Dreamlands like Old Edo, land of medieval heroes; havens of super-technology like Colony Five; dwellings of the o-bake-mono; or even gateways to the Buddhist heavens and hells. All these worlds permeate the waking thoughts of a contingent of painfully shy people, known as otaku. These ultimate fans bury themselves heart and soul in fantasy realms, to try to forget the harsh disappointments that reality constantly drums into them, and to shield against the hovering terror all Japanese feel in their hearts.

在似乎記得又不記得的噩夢中,睡眠者在一個像舊江戶般的夢中世界遊歷,一個有著像Colony Five的中世紀英雄和妖魔鬼怪居住的地方,或是佛教徒所稱的通往天堂和地獄的通道,這個世界滲入一群代表著極度自閉的的族群,我們稱之為御宅族,這些狂熱的信徒將身心靈魂全部埋入這個幻想世界中,在嚐試遺忘那些在現實世界既椎心刺骨又無時無刻拍打著他們的失落感,同時又要防範著盤旋於日本之上的恐懼殖入他們的心中。

In the gloomy secret corners of Japan there are beings who refuse to be consigned to the oblivion of fantasy. These things are satisfied to be dormant, as long as they are given the proper respect and rightful fear due them. The “New Japanese” have forgotten their people’s origins; these “ancestors” are determined to remind the living of lessons buried with the dawn of the modern age. These beings have not forgotten the darker history of Japan. They relish re-educating Japan’s forgetful people whenever they can.

在日本那些秘密的黑暗角落,一群生物拒絕被交付於遺忘的幻想之中,除非他們得到從人們出於懼怕所給予妥善的尊重,否則不會滿意的蛰伏於世。新世代的日本早已忘記自己的根源,這些「古老」的存在打算好好的在現代社會中上一堂課程,讓這群人回想起當初那黎明與希望皆被遮蓋的年代,這些「存在」不甘被忘卻於日本歷史上的闇影,他們想要盡其所能的再次教育這群健忘的日本人。

As much as these native monsters of myth disdain the living, they also need them. Much more that is incomprehensible to men slumbersin the cold Japanese waters. Some beings are pleased with Japan’s ignorance of the old ways. The gears of destiny set in motion millennia ago may grind the unwary to pulp under leviathan teeth.

即便那些神話中的原始怪物藐視著生靈,生靈卻是他們不可或缺之物,但更讓人難以理解的是那些沉眠在日本寒水中的人們。有些人對於日本仍保持著舊日的無知感到高興,或許,千年前轉動命運的齒輪早已被海中怪獸的牙齒不經意的嚼個爛碎。

This book is about rediscovering Japan’s true legacy, a process set in motion before the first emperor ever stepped down from the heavens to rule mankind. Can the heritage be discovered and stopped before the world reaps a bitter harvest?

這本書述說著日本未被揭發的真正遺產,一套能讓最初的征服者從天堂降臨、帶領人類的程序,這些遺留之物或許能夠發現和阻止苦痛豐收的這個世界?

Something waits for the stars . . . to be right. . . . M.D.


有甚麼東西正等待著星辰來臨…M.D

誠徵有志之士一同探索克蘇魯的世界!

參觀本blogger的各位教友貴安,

小弟是個以宣揚克蘇魯神話教義為終生志業之人

不久的將來,

各種宣教品(模組)、冒險札記(跑團紀錄)、稗官野史(相關文創)

會陸續擺放在這個在不可名狀世界的小小的一角...

同時也在此誠徵願意一同冒險的夥伴創造不朽傳奇!

簡單來說:我●想●跑●團!!!!!

如果有KP願意代領我實際體驗克蘇魯的呼喚的實際魅力

歡迎用任何方式連絡我!!

信箱:j456789a2003@yahoo.com.tw

skype、臉書也可以用一樣的信箱找到我~面團限台灣,網團不拘

克蘇魯的呼喚─休息站(Rest Stops) 漢化發佈! CoC 免費劇本下載!

模組介紹:

        這次的冒險調查員將會被要求去幫助某位朋友的兒子和他的老婆,他們在從L.A往東邊的路上失蹤。在尋找這兩個人的過程中,調查員會毫無預警的遇上來自過去的恐懼,冒險的時間設定在1990年代,但稍經調整便可套入更古老的時間點上。


千呼萬喚使出來~鄙人第一部漢化作品正式發布!

中間經過不少波折導致遲遲沒有發佈還請各位見諒

再次感謝睡不醒的虾米協助潤色

十二頁的短篇模組,預估跑團時間為3~6小時

請大家盡情使用!如有翻譯不佳的地方也歡迎來信告知

信箱:j456789a2003@yahoo.com.tw

下載地址:

google硬碟   VDISK-漢化 VDISK-原檔案

[漢化预告]COCTRPG模组《Clean Up, Aisle Four》漢化中!

這次的劇本非常有趣,內容與米.戈有關

而且相當適合做為新調查員踏入克蘇魯的第一個冒險

同時又具備有發展成系列作品的潛力

很適合拿來做為推廣之用阿!

另外,有關《休息站》模組的坑...其實已經翻譯完成

目前的問題是沒有適合的空間擺放,想要開一個博客來作匯整

最近幾天都在處理這些東西,才遲遲沒有上傳

可以介紹幾個教友習慣的上傳空間嗎?我怕內地無法連結谷歌的雲端硬盤

[漢化预告]COCTRPG模组《休息站》漢化中!


感謝睡不醒的虾米協助潤色
為了避免撞坑,我想還是發佈一篇開坑文好了
模組進度:全部漢化已完成,正在進入潤色階段
預計應該在一周內會完成

敬請期待!!!!